Tips For Composition In Photography.
Composition- The union of separate elements into a single artistic whole, in which the content is most clearly disclosed in a specific visual form.
Intersecting (diagonal) line – one of the manifestations of the “golden section” in photography. The basic idea – to make the eyes move in a certain direction. The starting point of line is desirable to have in one corner of the frame. It is believed that the upper-left corner is the best starting point because most people begin to view images from this angle. There are other possible locations of lines, but they were clearly defined.
Select an object – you can make setting the lens at a shallow depth of field. Using an open aperture allows you to emphasize the main object and blur the secondary.
Isolation of contrast-gazing at photos of eyes usually focuses on the most contrasting places, and it can be used to attract attention to certain places. In color photography the same role is played by color contrast, a polarizing filter can help to improve color contrast.
Object borders. An interesting effect of using the frame object (the object shot through the arch, shooting out of the cave, etc.).
Isolation of light – allows you to select the desired object, compared to other less-lit. Exposure measurement must be done on the illuminated area.
The use of lines – lines have an emotional impact on the viewer, the curved lines calm, broken lines act as a stimulus; vertical lines give greatness; horizontal – calm and serenity; diagonal – dynamism.
You should avoid straight lines that go beyond the frame, as they divide the frame into parts, or at least have them so that they have not shared the frame into equal parts. As it is desirable that at the end of lines was an object to look did not go beyond the frame.
It is better to place vanishing point of parallel lines outside the center of the frame in perspective.
Method of introducing lines is frequently used – these are lines that originate in one of the lower corners of the image and lead to its semantic center, usually located at the “golden section”. Such a line can be found in almost every story: the path, an elongated object, the line of separation of tones or colors.
Diagonal construction gives the dynamics of the picture. In this case the main line tracks inclined and therefore unstable.
In front of a moving object you must leave more space than behind him.
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